is a video artist, curator and co-founder of the Arab Image Foundation, Beirut. Author of more than 30 videos, and video installations, Zaatari has been exploring issues pertinent to Lebanese postwar condition, as in All is Well on the Border (1997) and the circulation and production of images in the context of a geographical division of the Middle East, as in This Day (2003) and In This House (2005). His ongoing research was the basis for a series of exhibitions and publications such as Hashem El Madani: Studio Practices (2004) and Mapping Sitting (2005).